CIPC #141: La Bayadère (bis)

‘Wait!’ I hear you exclaim, ‘La Bayadère? Didn’t you talk about that before?’ I did! In fact, it is the same Makarova adaptation of Petipa’s choreography that I’ll be talking about today – but this time it’s the Royal Opera House, with Ovsyanikov conducting and Rojo, Acosta, and Nuñez doing the dancing. Since the choreography is the same, there is also some chess but, of course, a different production means a different chess scene.1 This is what the second scene of the first act looks like this time:

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CIPC #140: Final move

One thing I haven’t done yet this year, is commenting on a chess-themed movie. More than a hundred blog posts ago, I commented on Lang leve de koningin and shortly before that on Knight moves. And for today, I found another one! It’s called Final move, the tag-line is ‘your next move may be your last’ and the ‘i’ in ‘final’ is a white queen which has been shot in the head, as you can see below. There’s going to be murder, action, suspense, and most of all chess. The cover promises us David Carradine, of Kill Bill fame, and Matt Schulze, from The fast and the furious. Let’s do this!

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CIPC #139: Miller advertisement

The image below can be found easily on the net. It is apparently from an advertisement campaign for Miller beer from, I think, the end of the fifties. The slogan of the campaign, not just this particular ad, was apparently the champagne of bottle beer. Obviously, their beer is ridiculously expensive, fizzy, and made from grapes. The other lines aren’t any better:

Ad: Distinctive in taste…

That’s probably also true of potatoes marinated in banana juice.

Ad: Accepted and appreciated by those who demand and expect the very best.

That’s the most clunky thing I have read in a long, long time. Also, those people probably ‘accept and appreciate’ pigs, but they sure as hell aren’t going to drink them.

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CIPC #138: Blackadder II E4, Money

Blackadder is a serious contender for the title of best TV-series in history. The first season was perhaps not great, but from season two to season six it is top-notch comedy, with Rowan Atkinson giving a consistently amazing performance as the sarcastic eponymic nobleman and Tony Robinson as his filthy and stupid sidekick Baldrick. Throughout the series, people like Stephen Fry and Hugh Laurie join the cast as supporting actors. In fact, in the fourth episode of the second series, we can see Stephen Fry as lord Melchett in a game of chess against none other than Queen Elizabeth I (Miranda Richardson).

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CIPC #137: Coca cola advertisement

The greatest rivalries of history and literature – the Montagues and the Capulets, the Hatfields and the McCoys, Barça and Real- pale in comparison to the rivalry between Pepsi Cola and Coca Cola. Since a long, long time ago, I spotlighted an old advertisement for Pepsi cola, I’d better do the same for a Coca Cola advertisement, lest I provoke fearful retribution from whichever company considers this as an unacceptable advantage for the other one. So here is a picture of some Coca Cola advertisement which appeared in Ebony, volume twenty-three number eleven from September 1968:1

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CIPC #136: Gode Geass S1 E1, The day a new demon was born

Lelouch. Lamperouge. That’s seriously the name of the protagonist in this anime. No, really, you can look it up: he is actually called ‘the fishy red lamp’. Or ‘the ladle red lamp’, if the ‘louche’ is a noun instead of an adjective, but that somehow manages to make less sense. But I guess sense is far too high an expectation for an anime based on the premise that, in 2010, the empire of Britannia(!) invaded Japan(!) from their homeland in America(!!) using giant mechs(!!) and that one angsty high school student gets supernatural powers(!!!) called ‘geass’ from some girl who prefers to die instead of using it herself, because that’s perfectly logical. Also, judging from the title of the episode, getting this power apparently means that you turn into a demon, but that’s not so strange for an anime. The shady lamp1 uses his newfound power to lead a guerilla campaign against his native land of Britannia and for the freedom of Japan. Sometimes he plays chess.

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CIPC #135: The Sims 2

Do I really have to write an introduction for The Sims? I probably do, don’t I? Fine. Here it goes: The Sims is a video game that was released in 2000, to critical and popular acclaim. In fact, it single-handedly put the real life simulations on the map of video game genres. The point of the game is nominally to give a population of virtual people a happy and fulfilling life by letting them develop hobbies and relationships, giving them nice houses, and getting them interesting jobs. In practice, people mostly use it to come up with new and creative ways to torture their virtual subjects. With the great success it enjoyed, a sequel was inevitable, and it is this sequel we’ll be talking about. It turns out that you can make your sims – that’s the name of the little characters whose life you are managing – play chess in it!1

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CIPC #134: Mari Govori, Pososi ty

If you were alive in the spring and summer of 2017 – and I suspect this is not an uncommon occurrence in my readership – you almost certainly heard the song Despacito by Luis Fonsi, Daddy Yankee, and Justin Bieber at some point, if not on the radio then in a shop or a fast food restaurant or something in that style. It was unavoidable. With such success, parodies were inevitable arrived. Most of them are spectacularly uninteresting. Some of them even manage to be somehow worse than the original, which is a considerable accomplishment. But there is also at least one interesting one: a parody in Russian sung by a certain Mari Govori which, as far as I can ascertain, was only released on YouTube. Why is it interesting? Well, it features a chess board! Also, it is a vicious and well-deserved criticism of Putin’s Russia.1 And the title means ‘suck it’.

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CIPC #133: Das schwarze Schaf

Who is the greatest detective from British fiction? Is it Sherlock Holmes? Perhaps Hercule Poirot or Mrs. Marple? Is it brother Cadfael? Do the famous five count? No, no, and thrice no! The greatest detective from British fiction is father Brown. The small, frumpy, brainchild of the great Chesterton figure in over three dozen well-written short stories with highly creative plots. The stories rightfully enjoy great popularity, but there are far fewer adaptations than for, say, Holmes. The reason is probably that Chesterton’s writing is a large part of the appeal of the father Brown stories, and this is hard to capture on film. Still, there were a few television series and a couple of movies. One of them, the German Das schwarze Schaf1 from 1960, is our subject of today. The story is a mishmash of bits and pieces from different stories, and the plot has suffered from that. Amongst others, there is a bishop now, who is rather annoyed by the good father’s antics. And who plays chess.

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CIPC #132: The prisoner, Checkmate

I have written about The prisoner before; if you don’t know what it is, you should probably read the first few sentences of that post. But there is more to talk about. In fact, one of the episodes is called Checkmate, which is a pretty good indication that there might be chess involved – and indeed: it starts with a human chess game. If you don’t know what that is, you should probably read the wikipedia article I conveniently linked you to, or read the next sentence, which will give you the short version. In human chess, the pieces are played by humans dressed up to be recognisable as the piece they represent and they follow the commands of their respective team captains who are doing the actual chess playing. (See? I promised, didn’t I?) Our hero, number 6, is called up to play the white queen’s pawn.

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